Listed in the order I read them:

"The Sound of Children Screaming" by Rachael K. Jones (Nightmare Magazine, October 2023) Read more... )

"Better Living Through Algorithms" by Naomi Kritzer (Clarkesworld May 2023) Read more... )

"How to Raise a Kraken in Your Bathtub" by P. Djèlí Clark (Uncanny Magazine, January-February 2023) Read more... )

"The Mausoleum’s Children" by Aliette de Bodard (Uncanny Magazine, May-June 2023) Read more... )

美食三品 (“Tasting the Future Delicacy Three Times”), 宝树 / Baoshu (银河边缘013:黑域密室 / Galaxy’s Edge Vol. 13: Secret Room in the Black Domain) Read more... )

"Answerless Journey", Han Song / 没有答案的航程, 韩松, translated by Alex Woodend (Adventures in Space: New Short stories by Chinese & English Science Fiction Writers).Read more... )
Put aside
Elatsoe by Darcie Little Badger. Read the first 30 pages on the bus on the way home, and haven't gone back to it yet, although I do plan to give it the first 50. Most reviews on goodreads adore this, but a handful were like: "this reads much younger than it's actually pitched" and man, it…really does so far. The art style, the voice, the character urgently riding her bike somewhere, and later meeting her friend at the mall… Would make an excellent 14 yr old protagonist, but she's written as 17, and it's throwing me. I'm not yet sold on the 'find the truth of a family member's death' yet either.
Update: never got back to it, and as someone had reserved it, I returned it to the library without much of a pang. Politely leaving off my ballot, I guess.

Finished reading:
Finished-not-really: with one story to go, it's on the backburner while I read library books, so…

Homesick: stories by Nino Cipri. With one story to go, holy SHIT this was SO GOOD. Seven short stories. Several genuinely scary ("Dead air", I'm looking at you), all funny and tightly written. I would read the hell out of "Shape of my name" (time travel! trans character!) as an entire novel. I'd also love to read "Presque Vu" is another one I'd read as an entire novel (spirits/ghosts have started appearing everywhere, and have started haunting people in bizarre ways).

"Presque Vu" also had the amazing moment of a joke that had me (and the main character) laughing out loud as the side character who inadvertently delivered it, blinks and says "wait, why are you laughing?" Like, impressively good shit.


Legendborn by Tracy Deonn. Also finalist for the YA-not-Hugo. Read the first 50 pages, was willing to give it another 50, and now I'm nearly 200 in. I'm genuinely interested in Brianna's story, and finding out what happened to her mother (this 'find the truth of a family member's death' is working for me), being Black in an all-white, old-money, old-magic secret society, and in who her mother was.

I'm interested enough that I'm willing to slog through the "…would they really be telling her allll this Secret Society information?" exposition dumps. There's the occasional motivation silence (it was not at all clear how much she knew and what her initial intentions were when she rocked up to said Secret Society and knocked on the door, for example), but the main character's overarching goal is very clear, and there's enough moments of shining captivation (her meeting her new psych was excellent). I'm not entirely sure I'm going to make it through all 500 pages, but I look forward to picking it up each time which is a feeling I haven't had a while. So far, going on the ballot at the very least.

Updated with about 100 pages to go: It's an impressive debut, and I can see how it'd be a fantastic read if you'd become invested in the secret society, but I really, really wasn't. I was extremely here for Brianna, her grief, her mother, the friend with they/them pronouns, and the whole mother-related storyline, but that felt like less than 200 pages worth of a 500-page book. I'm at a bit of a sad loss as to why it needed to be that long, and that was 500 pages of the smallest published font I've seen in some time. Going on the ballot, though.

Currently reading:
Black sun by Rebecca Roanhorse. WELP, heads up for maiming of a child by a parent. It's the first chapter, and describes how said mentioned-on-the-blurb character became the way he is. It's skip-able if need be, and probably easier to read if you know the shape of it going in, but it was harrowing to come to cold.

21 May Update: I hadn't been hooked by page 50, but the opening had been so harrowingly effective that I decided to give it to page 100, and it finally clicked for me on page 77ish. I'm extremely here for Xiala (bisexual mermaid sea captain!) and Seraipo and the story of the sea crossing. I care not at all about the Sky Temple whatevers, which might be a problem later as those stories are about to collide. But this is a fast, easy read, and I'm happy enough to roll along with it.

Up next:
Cemetery boys by Aiden Thomas has been on my radar for what feels like aaaages (read: a year, but it was 2020, so like, a decade), and now grabbed it from the library because not-a-hugo finalist.

The city we became by N K Jemisin. I feel like I've started the ebook sample several times, and was both entranced but also somehow never finished said sample. I'm hoping the physical book from the library will help.
Finished reading:

Winter's tale by.Nike Sulway, illustrated by Shauna O'Meara Oh. Honestly, this was a Kickstarter that I'd looked at, thought, 'I'd love that to succeed, I'll help bump them over the line and then retract if they made it okay before the deadline', and then forgot to cancel. I'm glad I forgot to cancel, because this was a genuinely magical, whimsical, captivating read. Winter is a baby and then a child looking for a place to belong, and somewhere to call home. I adore the art style. I'm not sure who the target audience is, exactly – kids in longer term foster care, definitely. But while Winter is about 6, I think, the language rings to an age group several years old. Regardless, gorgeous, and I'm so glad it got made, and that I got to read it.

Exhalation by Ted Chiang as a whole.
Last of the storie under here )

In sum: really good collection, very glad I read it. Tempted to go read the rest of the stories in the The story of your life now.

The girl who drank the moon by Kelly Barnhill. Huh There's some powerful ideas here, but it was let down by a fairly hefty pacing issue. I was most interested in the villagers rather than the ostensibly-main characters. Antain, for a long time, was actually the most interesting, sympathetic character to me. Xan and Luna (the witch and the girl respectively) should have been, but they were let down by the memory spell blocker maguffin, and the fact that Luna's entire plot-job was to wait until she turned 13 and her magic manifests. Given we first meet her as a baby, this is a problem. The villagers, and the Sisters within it, were all far more interesting to me because they had agency and characterisation and were generally active – trying to have lives and/or make others' lives miseries. The ending wasn't the grand battle of wills and force, but I actually liked it for that. And the final few chapters damn near made me cry. As one goodreads author pointed out, it could have done without a hundred of those pages in the middle, but the rest of those 200 or so were really good.

Currently reading:
Because internet Gretchen McColloch. Purchased! It's easy enough to dip in and out of, pleasingly. I'm learning a new thing every few pages, even. I'm a mix of Old Internet Person and Full Internet, by the look of it – someone who used social media platforms (Full Internet) to make friends that I was unlikely to ever meet (Old internet).

The ten thousand doors of January by Alix E. Harrow. This is a luxurious type of read. Very competent and skillfully done, doubly so for a first novel. It's almost too rich, maybe; I need to have a certain amount of alertness to get into it each read. Having said that, I think on the way home on the train at about page 30 or so, I had my first 'I want to close this book and hug it to my chest' moment. That's a win. I'm deliciously reminded of the "I picked up a pen, I wrote my own deliverance."

Up next:
One of Nalini Sighn's first-of-series, maybe it's about time!
Finished reading:
Nothing totally finished this cycle, technically. BUT

Currently reading:
Exhalation by Ted Chiang, which half way through has been a rollercoaster of up and down reading.

The merchant and the alchemist's gate. The story that I thought was going to be the hardest to get into turned out to be my overwhelmed-by-feels standout. It's a nested stories-within-a-story, and all of them deftly play to my love of time travel and healing and pieces clicking into place just so. Deeply satisfying.

Exhalation A strange, detailed look at mechanical people investigating themselves in much the same way we try to, but with the advantages of being able to take themselves apart. I'm not entirely sure of the point, per se. I picked up allusions to climate change and the like, I just wasn’t sure what to do with them.

What's expected of us A small unsettling story that I think I read before it was published here. What would you do if it were proved that we had no free will?

The lifecycle of software objects Digients (essentially very advanced tamagotchis) are raised in virtual worlds. I wanted to love this story. Reading the author notes afterwards, I really wanted to love the story he said he was inspired to write, but the story he actually wrote was…hmm. He chose to write it in a very distanced, telling-not-showing style, which was jarring. And then the digients spoke like toddlers, even after years and years of literal schooling, and it was abrading my nerves long before the topic of essentially selling them for sex work was raised, at which point it started grating through my nerves into rage. This was…possibly the goal? But I feel like either he or I missed the point, if it was.

Dacey's patent automatic nanny A beautifully-voiced museum interpretation of an automated nanny: the horrible, 'rational' misogynistic man who thought up such a device, and the adult son who used it on the grandchild, and it was all deeply unsettling and very well done.

Up next:
The rest of Exhalation.

The girl who drank the moon by Kelly Barnhill which is on hold for me at the library.

Because internet which I've not bought yet, despite my excitement.
Finished:
Okay, I'm formally halting my push through The second mountain, and taking a leaf out of my own advice. "If you've renewed it twice and still haven't made it [an arbitrary distance in, but I know it when I feel it, each book], then are you really enjoying it? You don't have to keep reading, you know…" I might dip in and out, but not trying to achieve anything anymore.

Instead, I'm reading backwards through the 13 Stories, 13 Doctors, and it's like a breath of fresh air of being Able To Finish A Thing. So you're getting each story individually, if briefly.

The thirteenth doctor: Time lapse by Naomi Alderman. Ahahahaha, okay, I retract some of my bitterness. The dislike of the POV stands, but the reveal spoilers ) was excellent, and worth reading, even if moar spoilers )

The twelfth doctor: Lights out by Holly Black. Solidly written. Neat concept, and the emotional arc was a good one. I was abruptly So Tired of heterosexism, though, and of what felt like the unnecessary human-related puberty elements. There's a whole new bunch of species you’ve got going there! Do get even more creative, please.

The eleventh doctor: Nothing o'clock by Neil Gaiman. I dislike the abrasive relationship between the doctor and Amy, but I frequently disliked that it in the show. That said, the central idea! Holy SHIT. HOLY SHIT. Thank you, Mr Gaiman, I think, for the most effective jump scare/eye-widening moment of horror I've read in living memory. BRAVO, sir.

Currently reading:
The tenth doctor: the mystery of the haunted cottage charmingly meta so far, and has made me chuckle several times.

The big book of post-collapse fun by Rachel Sharp. I keep putting off reading this, even though it's comparatively very short, in case it's really not as good as I was hoping. Also I kinda worry it'll unsettle me if I read it too late at night, which, as two concepts together are sort of contradictory. Heh.

Up next:
As many of the Dr Who stories as hold my interest.
I'm also eyeing off Exhalation by Ted Chaing – more short stories.

Also, argh. I have been burned by the last…three? Lee Child/Jack Reacher books, but I picked up the (next one? Past tense, anyway) and the opening pages are so seductively good. This is Sherlock Holmes for people skills, and it's all my competency kinks rolled into one, and yet bitterly burned. *makes face*
Finished:
To be taught, if fortunate by Becky Chambers.
This was a very companionable read. It’s the sort of plot of a road trip novel in space, if the road trip had been funded by earth crowdfunding, which is sort of what’s happened here. The writing is a slight step below spectacular maybe (which is still head and shoulders above most works), but the world building is top notch, as is the feel of the science, and the depictions of the wonders – and traumas – of space and other planets. I found myself very faintly impatient with the ending while I was reading it, and then while I was drifting off to sleep that night, I found myself thinking of the ‘discoveries’ my mind thought we’d just learned we’d made, and then thinking ‘yes. Go on. Yes.’ – the story felt that real that it had just gently settled itself into my consciousness, and that’s unsettlingly cool. The quote that the title comes from was written at the end, and is fucking amazing.

Currently reading
The second mountain by David Brooks. Still reading. I feel like it’s starting to spin its wheels a little, 100 pages in, so I’m hoping for new material and ideas soon. ETA: true to form, the chapter ‘Vampire Problems’ was not at all what I thought it was going to be about (how to stop say, toxic people dragging you down), and was in fact about how to make a choice that was going to entirely change your identity and selfhood, when you only have previous/current self’s knowledge on how to make that choice. Fantastic concept, that then also slid back into repetitive examples. In theory persisting, in practice I’m putting off reading it, but I also feel like I’m putting off reading anything at the moment, so grain of salt.

The big book of post-collapse fun by Rachel Sharp. I was deeply charmed by what I read in the sample, and wanted to curl up in this world, with this character, enough to buy the book. The rest of the book is slightly more wobbly than that, but I’m reading along, gamely enough.

Time lapse (The 13th doctor short story) by Naomi Alderman. This reads very much like an episode. That’s…not a bad thing, I guess? And it’s a neat premise for an episode – everyone on the planet has forgotten the year 2004 – but I’d been hoping for a written story, something that showed me the inner thoughts of a particular character, say. I read an interesting post about point of view, and how basically ‘camera length’ away from the characters POV is an entirely valid point to write from, and it might be! It’s just not the version I prefer, and it’s the version I’m trying to write myself away from. There’s so little feeling or intimacy with it, and that’s what I realise I’m craving in my fiction.

Up next:
Um. Maybe T Kingfisher’s horror story? I dunno how wise a choice that is, though…
maharetr: Comic and movie images of Aisha's eyebrow ring (The Losers) (Default)
( Apr. 4th, 2019 09:53 pm)
Have finished:
My grandmother asked me to tell you she's sorry by Fredrik Backman. Finished, with a few tears on my part, and some low-key odd ableism on the author's part (not naming the 'boy with the syndrome', ever? Really?), and some tiny puzzlements, but still satisfying and I'm glad I read it. Was very similar to Extremely loud and extremely close from some years back, but I liked it much, much better. It felt like it was much less about making a Grand Point, and more about telling a cosy story about a group of people.

Strange waters Samantha Mills. OH GOD. So each year I mean to do at least some reading of the works rounded up by Asking the wrong question's Abigail Nussbaum as Hugo nominations in time to actually add my nomination. This year at least, I got around to reading one or two at all, never mind the long-past deadline *cough*. But HOLY GOD, I hope this short story made it. (ETA: sad it didn't, but so it goes) I love time travel stories So Much, as a preface, and this one both mashed my buttons and is also, I think, devastating in its own right. 6000 or so words and highly recced.

Currently reading:
Spindle's end by Robin McKinley. Despite my frustrations with Beauty, the things I loved about it were enough to sway me into picking up the next available (to me) one. I'd actually read the first page a few times over the last few years, and kept bouncing off it for whatever reason, but apparently cosy domestic magic is 1000% what I'm about right now, because yup here for needing to de-magic your teakettle and asking bread to stay bread, very much. A hundred or so pages in and it strikes me as a deeply leisurely read, and one that I don't wan to rush through for the sake of having read it, so I'm putting it aside for a few months probably because...

Up next:
Clearing the decks because the Hugos are here! The Hugos are here!
 Carnival Nine“, by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017) – The lives of windup mechanical people and what they choose to do with the time they have. This is bittersweet and touching and well worth a read.

Clearly Lettered in a Mostly Steady Hand“, by Fran Wilde (Uncanny, Sep-Oct 2017) Oh my god. I read the first paragraph/section and literally sat back and blinked with pleasure. Heads up for things like body horror, and Victorian era style medical procedures. This was glorious and creepy and unsettling and I loved it. The last section/wrap-up didn’t quite land the punch I was anticipating based on how good the rest of the piece was, but definitely going high up on my list.
 
Fandom for Robots“, by Vina Jie-Min Prasad (Uncanny, Sep-Oct 2017). An archaic robot discovers fandom. I did not expect to like this but ended up absolutely delighted by it. Profoundly charmed.
 
The Martian Obelisk“, by Linda Nagata (Tor.com, July 19, 2017) Oh my heart. A quiet… not even apocalypse, just the quiet end of our species, and what people do with their time. Mars! Quiet apocalypse! Really long-term remote projects (apparently I have really specific narrative loves) I’m so, so here for all these things. The story twists off into unsettling directions, and I love/hate/respect the shit out of it for that. Like Carnival Nine it’s about what you do with your time when you know the end is nigh, even, or especially, if the end is inevitable and soon. Will rank it highly. 

Sun, Moon, Dust“, by Ursula Vernon (Uncanny, May-Jun 2017) Allpa does not actually want his grandmother’s adventuring sword. Ohh this is lovely, gardening and not-adventuring and staying home and safe and cosy all wrapped up in Vernon’s wry, wonderful voice. I want to rank it way up there, but Vernon has so many Hugos already…

"
Welcome to Your Authentic Indian Experience™“, by Rebecca Roanhorse (Apex, Aug 2017) You maintain a menu of a half dozen Experiences on your digital blackboard, but Vision Quest is the one the Tourists choose the most. This was excellently written and compelling enough that I stayed up to read it even though I was tired enough to bed down for sleep. But the denouement is a trope I find personally so unhappy making and dis/stressing (not mentioning here because spoilers, happy to talk about it comments) that I have no idea how to rank it. It’s a worthy fic, but, welp.

Man. Man. The nominees are really strong this year, for such annoyingly disparate reasons. Very tentative ballot below.

The Martian Obelisk
Clearly lettered in a mostly steady hand
Carnival Nine
Fandom for robots
Sun, Moon, Dust
Welcome to Your Authentic Indian Experience

(No 'no award')

.

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